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The Great Jazz Trio is in terrific form on this 1981 follow-up to earlier sessions at the Village Vanguard. Hank Jones generously showcases his bandmates, bassist Ron Carter and Tony Williams, rather than relegating them strictly to supporting roles as far too many piano trio leaders have done. Each track is an extended workout. The opener, 'Hi-Fly,' features an often humorous solo by Jones (which briefly detours into 'Les Marseilles'), a fine walking solo by Carter, along with a tasty series of drum breaks by Williams. An intense workout of 'Softly as in a Morning Sunrise' follows the pianist's shimmering interpretation of 'Sophisticated Lady.' The pulse doesn't slow down with a brisk take of 'Wave,' powered by Williams. Megabucks jackpot history. Although 'My Funny Valentine' seems like a mandatory standard that every jazz musician must record, the trio's interpretation is an alchemy of elegance and driving hard bop, though Jones can't resist a touch of comedy by inserting a quote from 'Nature Boy.' The crystal-clear engineering gives the listener a front row seat for the entire set. Originally issued in Japan by East Wind and long unavailable in the U.S. after the demise of Inner City, Test of Time finally reissued this highly recommended Great Jazz Trio date in 2005.

Bill Evans Trio Classical Vinyl Records, Department 56 Dickens Village Buildings, Department 56 Snow Village Buildings, Sunday BMX Bike Frames, Aluminum Vanguard Tripods and Monopods, Classical CDs Bill Evans, Women's Sunday Somewhere Sunglasses, Jazz Cool Music CDs Bill Evans. The Great Jazz Trio at the Village Vanguard. Quite the same Wikipedia.

Limited pressing edition. Remaster album from THE GREAT JAZZ TRIO. East Wind Masters Collection encore pressing. Using the DSD remaster. Recorded at Village Vanguard in New York on February 19-20, 1977. Hank Jones(p), Ron Carter(b), Tony Williams(ds).

With this album Blue Note almost invented jazz nostalgia and it set the tone for Joe Henderson's late comeback years in the 1990s. Now it gets reissued on vinyl, which is another kind of nostalgia.

Joe Henderson – The State of the Tenor, Live at the Village Vanguard Volume 1 (Blue Note, 2020)

Find many great new & used options and get the best deals for Sacd Hybrid Bill Evans Trio Building Sunday At The Village Vanguard Input at the best online prices at eBay! BILL EVANS TRIO - SUNDAY AT THE VILLAGE VANGUARD - RARE CD. $7.91 + $7.26 shipping. BILL EVANS TRIO, SUNDAY AT THE VILLAGE VANGUARD,CD. Jazz Cool Music CDs Bill Evans. 50+ videos Play all Mix - The Great Jazz Trio / Nardis (at the Village Vanguard Vol.2) YouTube The Great Jazz Trio - Favors (1977) - Duration: 9:32. Despicabledog 74,260 views.

In a recent obituary on Steve Grossman on the site Do the math writer Mark Stryker wrote of the chock of hearing the previously more adventurous Steve Grossman playing standard songs in the manner of Sonny Rollins on the two volumes of Way Out East which was released on the Red records label in 1984. Another way of seeing it is that Grossman continued to be a trailblazer, because the following year Blue Note records put out two volumes of another saxophone trio led by one of the instrument's premier practitioners: Joe Henderson.

1985 was an important year in the Blue Note label's history. It was relaunched with the help of former label owner Alfred Lion who was there when all the classics Blue Note recordings with Thelonious Monk, Bud Powell and Miles Davis was done. Some classic albums were reissued, and some new ones was made by musicians like saxophonist Jackie McLean, and pianist McCoy Tyner who all had a rich past with the label.

With this album Blue Note almost invented jazz nostalgia and it set the tone for Joe Henderson's late comeback years in the 1990s. Now it gets reissued on vinyl, which is another kind of nostalgia.

Joe Henderson – The State of the Tenor, Live at the Village Vanguard Volume 1 (Blue Note, 2020)

Find many great new & used options and get the best deals for Sacd Hybrid Bill Evans Trio Building Sunday At The Village Vanguard Input at the best online prices at eBay! BILL EVANS TRIO - SUNDAY AT THE VILLAGE VANGUARD - RARE CD. $7.91 + $7.26 shipping. BILL EVANS TRIO, SUNDAY AT THE VILLAGE VANGUARD,CD. Jazz Cool Music CDs Bill Evans. 50+ videos Play all Mix - The Great Jazz Trio / Nardis (at the Village Vanguard Vol.2) YouTube The Great Jazz Trio - Favors (1977) - Duration: 9:32. Despicabledog 74,260 views.

In a recent obituary on Steve Grossman on the site Do the math writer Mark Stryker wrote of the chock of hearing the previously more adventurous Steve Grossman playing standard songs in the manner of Sonny Rollins on the two volumes of Way Out East which was released on the Red records label in 1984. Another way of seeing it is that Grossman continued to be a trailblazer, because the following year Blue Note records put out two volumes of another saxophone trio led by one of the instrument's premier practitioners: Joe Henderson.

1985 was an important year in the Blue Note label's history. It was relaunched with the help of former label owner Alfred Lion who was there when all the classics Blue Note recordings with Thelonious Monk, Bud Powell and Miles Davis was done. Some classic albums were reissued, and some new ones was made by musicians like saxophonist Jackie McLean, and pianist McCoy Tyner who all had a rich past with the label.

The goal was clearly to record new music which built on the tradition of the label. They even joked about it as a series of new recording by past stars of the label like Herbie Hancock and Bobby Hutcherson had cover pictures of jars of pickled fruit and jam.

No other albums reflect this better than the two volumes of The State of the Tenor, Live at the Village Vanguard (1986) by Joe Henderson, bassist Ron Carter and drummer Al Foster. They connect to saxophonist Sonny Rollins' famous 1957 Blue Note trio recording A Night at the Village Vanguard (1958) both by being recorded at the same place and by using the same instrumentation.

Further trio recordings

Auvio usb to hdmi adapter for mac. They even connect to the label's and Joe Henderson's joint history in the choice of repertoire. Volume 1 which now gets reissued on vinyl has Henderson playing saxophonist Sam Rivers' lovely ballad 'Beatrice' which Rivers recorded for the label in 1965, Thelonious Monk's likewise lovely ballad 'Ask Me Now' which Monk recorded for Blue Note in 1951, and Henderson's own 'Isotope' which he recorded on his Blue Note album Inner Urge (1966).

The Great Jazz Trio At The Village Vanguard Rarest Items

The trio and Henderson are of course top class and the performances are great and has become classic in themselves since they were released. Jpeg jackal 2 0 download free. Henderson's tone and improvisations are unique, and the rhythm section of Carter and Foster are the best that money can buy. The albums were also some of Alfred Lion's own favorite recordings done for the label and were some of the Blue Note albums placed at his gravestone at his funeral.

Henderson continued to tour and record with various trios the following years as can be heard on the albums An Evening with Joe Henderson (1987) with Charlie Haden and Foster, and The Standard Joe Henderson (1992) with Rufus Reid and Foster. Both was released by the Red records label for which Steve Grossman also recorded. Henderson played a similar and sometimes overlapping repertoire on these recordings as on The State of the Tenor.

Double nostalgia

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Following these recordings Henderson started to record albums for Verve records which were tributes to musicians and composers like Billy Strayhorn, Miles Davis, and Antonio Carlos Jobim. They gave him big success and critical acclaim, but they like the previous trio albums also had him looking back at his own and other's past rather than creating new material. Henderson was 48 when he recorded The State of the Tenor, and 55 when he started recording for Verve. Many other musicians around the same age, as Roscoe Mitchell and Lester Bowie in the Art Ensemble of Chicago continued to create and record new music at the time.

There is nothing wrong with playing repertoire music the way Henderson or Grossman did in the 1980s and ‘90s. It is something like hearing a great pianist playing pieces by classic composers like Frederic Chopin or Claude Debussy. There is a demand for standard bearers who can recreate the great past of the music, just as there are for the ones who keeps being creative, and there will be musicians willing to do both things.

Having this album reissued on vinyl is perhaps most fitting as it is another nostalgia trend in jazz right now. There is double nostalgia for you with Joe Henderson.